The air, the elephant, the zinc, the copper, and the human
for two amplified breathings
First performance, University of Toronto Multidisciplinary Creative Conference, Carina Lam - Euphonium, Valeria Barnier - breath. September 25/2017
All breathing is circular, all breathing is sound
for clarinet solo
[Bb, A and bass clarinet]
Written for and premiered by Marco Ignoty, Composit Festival 2017, Riety , Italy. July/2017
for broken player piano, piano, contact microphones, surface speakers, mixing board, and some cables. Commissioned by the Westfield Center for Historical Keyboard Studies
Premiere, Ryan MacEvoy and Sergio Cote performers. Cornell University, Ithaca, NY. May/2017
for voice, piano and clarinet
Commissioned and premiered by sTem Trio. Cornell University, Ithaca, NY. April/2017.
La sed es de tierra
for four amplified surfaces, commissioned by Neopercusión, Madrid.
Premiere, March 2017, Auditory 400, Museum Reina Sofia, Madrid Spain. March/2017
Premiere of the Solo version written for
premiered in Cáseres, Spain, La Aguilera, Julio/2017
Juanjo Guillem, Asian PAS, Beijing, China, July/2017
Juan Guillem, Museo Vostell Malpartida de Cáseres, XIX Ciclo de música contemporanea, Agosto/2017
for mixed chamber ensemble, commissioned by Mise-En Ensemble, New York
Premiered by Mise-En Ensemble during Mise-En festival, NY, USA. June/2016.
Mise-En ensemble, The Robert and Carol Morris Center for 21st Century Music, Buffalo University. Buffalo, NY. March/2017
Mise-En ensemble. Center for New Music, San Francisco, CA. May/2017.
for violin solo, commissioned by Diego Vasallo
Premiered by violinist Diego Vasallo RNCM, Manchester, UK. May/16/2015.
Hajnal Pivnick, Festival Casa Tomada, Casa de las Americas, La Habana, Cuba. September/2017
Hajnal Pivnick, Solo showcase, Mise-En Place, New York, US, October/2017